Cybernetic Futures
Online Art Exhibitions
Cybernetic Futures Publication
2022
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Published Peer-Reviewed Academic Articles
By Dr Lila Moore
2021, 'Sentient: A Social Media Environment as a Conscious Living System,'Proceedings of EVA London, 2021. Open Access
2020, 'Roy Ascott,' Religious and Spiritual Movements and the Visual Arts, (eds.), Massimo, I. & Bromley G. D., World Religions and Spirituality Project, Virginia Commonwealth Universit. Open Access
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2021, 'Roy Ascott,' Translator: Eleanor Zhang Tingting, Roy Ascott Technoetic Arts Studio, DeTao Masters College, Shanghai. Open Access
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2020, 'Three Cultural-Religious Worldviews in Noah (2014) – Hedonism, Fundamentalism and Eco-Feminism,' Journal of Religion and Popular Culture
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2019, 'Moina Bergson Mathers,' Women in World’s Religions and Spirituality Project (eds.) Rebecca Moore & Catherine Wessinger, World Religions and Spirituality Project, Virginia Commonwealth University. Open Access
2019, 'Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality,' Proceedings of EVA London 2019, Electronic Visualisation and the Arts, pp.155-161. Open Access
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2019, ‘From Cave to Screen: A Study of the Shamanic Origins of Filmmaking,’ Journal of Arts & Humanities, 08 (12), pp.1-10. Open Access
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2019, 'Not Your Gandmother’s Bible – A Comparative Study of the Biblical Deluge Myth in Film,' Religions, 10 (542), Open Access. (co-authored with M. Ruah-Midbar,Shapiro)
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2018, 'Humanity's Second Chance: Darren Aronofsky's Noah (2014) as an Environmental Cinematic Midrash'. Journal of Religion and Film, 22 (01), pp. 39 Open Access.
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2018, 'The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind', Cybernetics & Human Knowing A Journal of Second Order Cybernetics, Autopoiesis & Cybersemiotics. A Tribute to the Messenger Shaman: Roy Ascott, 25 ( 2-3,) pp. 119–141
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2018, 'The Transcendent Double Selfie App', In Dalila Honorato and Andreas Giannakoulopoulos (eds.) Taboo-Transgression-Transcendence in Art & Science 2017 Conference Proceedings, Corfu: Ionian University - Department of Audio & Visual Arts, pp. 229-236, Open Access
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2017, 'Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness', Technoetic Arts: A Journal of Speculative Research, 15(3), pp. 325–39
2015, 'Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion’, Technoetic Arts: A Journal of Speculative Research, 13 (3), pp. 331–339
2014, 'Water e-Motion: Transformative Views,' In 3WDS14 Waterwheel Symposium Proceedings, (ed.) Suzon Fuks, Igneous Incorporated, Australia, 2014, pp. 121-129, Open Access
2014, 'Performance,' In 3WDS14 Waterwheel Symposium Proceedings, e-book, (Ed.) Suzon Fuks, Igneous Incorporated, Australia, pp.441, Open Access
2014, 'Activism, Art and Science,' In 3WDS14 Waterwheel Symposium Proceedings, e-book, (ed.) Suzon Fuks, Igneous Incorporated, Australia, 2014, p.90, Open Access
2014, 'Little Streams Make Big Rivers,' Co-writer, In 3WDS14 Waterwheel Symposium Proceedings, e-book, (ed.) Suzon Fuks, Igneous Incorporated, Australia, pp. 18-26, Open Access
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Published Peer-Reviewed Book Chapters
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2021, Magic(k)al Visions of the Ultra-Modern Woman: Reconsidering the Feminine Aesthetics of Moina Mathers and Maya Deren, in Making Magic Happen: Selected Essays from the Inaugural Magickal Women Conference,London: Magic(k)al Women& Company Publications
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